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 Photography & Culture will create a new context for reflection on the nature of photography, its practices, meanings, and private/public worlds. In doing so it will help to redefine the study of photography as something broader than it is often taken to be.  Jennifer G. Tucker, Dept. of History, Wesleyan University, USA

 

Edited by

Val Williams, University of the Arts, Photography and the Archive Research Centre at London College of Communication, UK
Kathy Kubicki, University College for the Creative Arts at Farnham, UK
Alison Nordstrom, George Eastman House, USA

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Print ISSN: 1751-4517
Online ISSN: 1751-4525
Frequency: 3 times per year, starting in July 2008 (2 issues in first year)

Photography & Culture is a new refereed journal that will be international in its scope and inter-disciplinary in its contributions. It aims to interrogate the contextual and historic breadth of photographic practice from a range of informed perspectives and to encourage new insights into the media through original and inciseive writing.

Photography & Culture will publish research papers, discursive critiques and reviews. It will appear at a key moment as photography evolves; once again, to embrace a technological change that is shifting both contemporary usage and historic understanding.

Photography & Culture will quickly establish itself as a leading platform for critical thinking on photography and as essential reading the world over for academics, curators and practitioners with a central and indeed tangential interest in the media.

 

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Contents, volume 1, issue 1

ARTICLES
A Young Woman N.Y.C.
Alistair O’Neill
 
“Summer was Inside the Marble”: Marguerite Duras’s and Alain Resnais’s Hiroshima Mon Amour
Carol Mavor
 
Shinrei Shashin: Photographs of Ghosts in Japanese Snapshots
Richard Chalfen
 
Strange Bedfellows: Appropriations of the Vernacular by Photographic Artists
Martha Langford

About Town: Research in Progress on Photographic Networks in Britain, 1952-69
Anne Braybon
 
ARCHIVE
1921 Shackleton Archive
Robin Christian
 
EXHIBITION REVIEWS
Ori Gersht. Time After Time
Review by Jean Wainwright
 
BOOK REVIEWS
Do Dutch Eyes See Differently?
Review by Geoffrey Batchen
 
Darkroom
Review by Bruno Chalifour
 
No Caption Needed: Iconic Photographs, Public Culture, and Liberal Democracy
Review by Michael Carlebach
 
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